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Posts Tagged ‘Wolverine’

I Have Issues: Rafael Grampa’s Mesmo Delivery

On a recent trip I was able to visit a comic shop, and find a rare jewel to add to my comic book library: Rafael Grampa’s Mesmo Delivery. I had reviewed Grampa’s work some time ago on Giggaheim’s Podcast Episode 41, and fell in love with the Wolverine story he wrote and illustrated. His work had an energetic detail that reminded me serious tattoo art that had wound up illustrating the gory and sad life that had become Wolverine. So when I found a trade paperback of Grampa’s, I snatched it up, and never put it down.

 

Simply put, Mesmo Delivery is about two men who are en route to deliver the content of a tractor and trailer. When they stop in a local greasy spoon diner, a fight breaks out. Any more details, and it would spoil the book. The story is a simple one, but takes some twists and turns. The driver is a boxer. He’s a huge, stocky man who obviously is more brawn than brains. Next to him is a lanky grease-ball who loves Elvis. Not too much to get attached to, but when the driver is assaulted, the book spins out of control, and it is a fantastic ride.

 

mesmo panelRafael Grampa’s art is fantastic, and I didn’t want to spend the entire review throwing around terms like “kinetic”, “frantic”, “clean”, “earthy”, or “wild”. The art within the pages is all those things, but I didn’t want to sling the same terms at you, otherwise, why read this?

 

His art is a mixture of cartooning, illustration, woodcut printing, and industrial tattooing. It’s as if Steamboat Willie-era Mickey Mouse walked out on a pregnant Minnie Mouse, got a job loading trucks, and tattooed a pulsing, infected body part on his arm. That’s what it “feels” like to me. It’s similar to a raw twist on an art-form, but it certainly has the energy, detail and exaggerated features that lend itself to this violent story. Besides the style, Grampa also chooses layouts and angles to tell the story in a way that lures your eyes, and guides you through the book. After a few pages, you can taste cigarette smoke, feel hot dusts settle on the back of your sweaty neck, and your heart will race for the next crazy moment to happen. Rafael lures you in, and never lets go until the last page says: The End.

 

 

Muppets Mash-up

Yet another mash up that was too awesome to pass up, Rahzzah created a great composition: “X-Muppets”.  The Marvel Comics Mutants meet Animal and Beaker as Wolverine and Cyclops. You can visit Rahzzah’s Deviant Art Page for more of his great creations.

X-Men Muppets

 

Santa Claus Mash-Up by Neil Cameron

Comics Alliance has a fantastic gallery of Santa mash-ups by Neil Cameron. So get in the holly jolly spirit and stop by to view a gallery of different Santa Clauses like Wolverine, Buffy, Frankencastle, and more!

Santa Wolvie

 

Comic Book Reviews: 09.01.2010

I Have Issues Week of: 09.01.2010

This week snuck up and slapped me on the back of the head. Originally I looked at my virtual pull list and saw 2 books. What a bummer. And I was thinking, Well the podcast will be a quick one this week, and I also thought about doing a column about digging through the quarter bins. Luckily Marvel Comics unleashed a flurry of #1 issues, and between them and a few surprises, by pull list exploded. These may be a bit short, but I wanted to cover everyone.

1month1One Month To Live #1 (OF 5)

WRITER: Stuart Moore, John Ostrander, RICK REMENDER & Rob Williams
PENCILS: Mike Del Mundo, Andrea Mutti & Koi Turnbull
INKS: ANDREA MUTTI
COLORED BY: ANDREA MUTTI

This book looked semi-interesting, and I must admit that I only picked it up for a few reasons that weren’t too compelling. But I enjoyed the crap out of it, and I think the average reader will too. We are introduced to Dennis Sykes who is your average joe working for a greedy-evil bank that won’t lend to a kids orphanage because the fat cats want their bonuses. After he delivers the bad news, he tries to help someone out of a robbery and gets beaten and poisoned with toixic waste (only in the Marvel U) but is rescued by The Thing (again only in Marvel’s NY). After Dr. Richards revives him, he give him the bad news that he has serious cancerous growths, and only a month to live.

Invigorated by the short deadline of his life, Dennis discovers he has weird matter-altering powers and decides to steal the money owed to the orphanage, but is caught by his family who think poorly of him for being Robin Hood. Since he feels guilty, he breaks back in to return the money, only to be captured by Spider-man, who eventually lets him go. Instead he uses his powers to give the orphans what they wanted (which is a rock garden) putting him on the radar of a bad guy who runs the neighborhood.

Now after that synopsis, I’m sure you can’t find many appealing mind-altering ideas that make your rush out to buy it. The real magic behind it isn’t the “It’s Clobbering Time!” or the witty commentary by Spider-Man, but it’s the interpersonal emotional dialogue between Dennis and his wife, and the awkward dialogues with his adopted daughter. The story is actually wracked with tragedy, but as a comic book reader, you get sucked into this world hoping for him, and hoping for a happy ending.

What also gives the book more impact that it should is the artwork by Mike del Mundo. The artwork is bright, dark, gritty and clean when it needs to be to illustrate the moods of the book. The darker panels give the proper somber tones and even a stressful tension that the teenage girl brings to her scenes. This book may be finite, and given its more grounded approach, we have a sense of reality that isn’t present in Avengers. Sure Spidey and Thing show up, but they are the same as seeing a bright green camaro, or a woman with a short skirt. They give you a sense of rare instance, but don’t dominate the overall mood.

It may be because I enjoy Vertigo books, but I really took a liking to this more grounded Marvel book, and the human problems that are in it. I like to escape to a world filled with super powers as much as the next guy, but as a comics reader, I enjoy books like this because they demonstrate what the medium is capable of.  Not once did I turn the page and roll my eyes when Dennis manifested powers. I didn’t sigh heavily when the Thing yelled “Clobbering Time!!!”. I was able to set the fan boy down, and embrace the story for the emotions that Rick Remender wanted me to feel, and that my friends is a rare thing.

Avengers Children’s Crusade #2 (OF 9)

WRITER: ALLAN HEINBERG
PENCILS: JIM CHEUNG
INKS: MARK MORALES
COLORED BY: JAYPO LLC
LETTERED BY: NEUROTIC CARTOONIST, INC
COVER BY: JIM CHEUNG

Jimmy Cheung is a great guy, and I have had the pleasure of hanging out with him since he is here in the boondocks of Florida. When you see his work, you automatically are drawn to the great character drawings, the framed action sequences, and the panel layouts. It’s always great work. And then when you meet the guy, you just become a rabid fan. He’s one of the nicest dudes, and a genuinely good guy. So of course I’ll pick up this book. I don’t even need Heinberg on it.

This book is a fantastic return of the too short lived Young Avengers title, and I am one of those fan boys that winces at the idea that anyone different from Hienberg and Cheung handling the book. Luckily we get a breath of fresh air, and this dynamic and young group can once again have adventures in an old-fashioned Marvel way.

I can blab on and on about Jimmy all day, but let me swing the spotlight on Heinberg. I was frustrated as hell when he left Wonder Woman since he was doing and awesome job of rebuilding her after Infinite Crisis. Heinberg seems to get comics. He’s fantastic at TV writing, but I love his comics work. He actually reminds me of  Jeff Loeb the way he stays within the standard tropes of comic books, but where Loeb loses me, Heinberg excels. Heinberg doesn’t insert everyone’s favorite one-liners for the sake of defining the book and giving people “What they want”. He merely writes a good story, stays true to the characters, and gives us some fun twists and turns along the way.

I’ll admit that the first issue gave me whiplash as they went back and forth to Avengers Tower, but this issue was fluid, and had a confluent idea behind it to keep driving the Young Avengers on their quest. The idea of the kids pairing up with Magneto was delicious, and the torn loyalties and tension was fantastic. All of which eventually leading to a fantastic teaser for next issue which I am anxious to read. Damn it Jimmy! Hurry up!!!

brightestday9Brightest Day #9

Written by GEOFF JOHNS & PETER J. TOMASI
Art by IVAN REIS, PATRICK GLEASON, ARDIAN SYAF, SCOTT CLARK & JOE PRADO
Covers by DAVID FINCH
Variant covers by IVAN REIS

Another solid hit. I was worried to death that we would have a run of Haws stuff, but luckily, it was J’honn and Aquaman. Although the book seemed brief compared to Superman:Last family #2, and 1 Month to Live, it was still filled with good stuff. J’honn is torn and decimating Ollie’s magic forest, as Ollie has to stop the out of control Martian Manhunter, we learn the new Aqualad is the son of none other than Black Manta. That will make for some great stories in the future. In the hands of Geoff Johns Aquaman goes from confusing-crap-character to cool water-avenger.

gijoe158G.I. Joe A Real American Hero #158

Writer: Larry Hama

Artist: Agustin Padilla, Rod Whigham

The Joes turn up the heat, and rally at COBRA’s secret Silent Castle. Scarlett and Snake Eyes, infiltrate the castle while Duke and boys rouse bloody hell outside. The issue is filled with great action sequences that leap out of an 8-year old imagination (not a bad thing), and story really does a fine job of giving everyone their minutes of glory. My only gripes were that a few twists in logic drew me out of the story. Even though the story was a bit muddled near the end, and telegraphed everything happening in simple terms, I still enjoyed the book as an enjoyable military toy book.  I’m looking forward to seeing the Joes kick the crap out of COBRA this time, and especially  anxious to see Cobra Commander’s new battle armor.

Superman The Last Family Of Krypton #2 (OF 3)

Written by CARY BATES
Art by RENATO ARLEM
Cover by FELIPE MASSAFERA

I had no idea how much I missed the “Elseworlds” books until this book showed up. And it’s hard to “break in the room”, especially with this crowd or over-analyzing fan boys. Cary Bates continues to write a logically different Superman book, and Renato Arlem illustrates it with balanced and beautifully rendered imagery.

The saga of the Els continues as Clark tries to find his place on Earth. His super-powered twin siblings learn that they are half-mortal due to their earth-birth (sounds like a disgusting beer), and Lex continues to outshine Clark. Only in this book we get a look at the growing cult called “Doomsday” that wants this fantastic super-family off Earth.

Much of the book’s imagery and famous lines can still be found in Mario Puzo’s screenplay of Superman:The Movie, but it wasn’t too awkwardly jammed into the book. I still enjoyed the twist of the half-super twins, the way Lex is playing both sides (naturally) and I especially liked the artwork. These double issues are great, and I’m happy I grabbed this is in issues instead of trade.

thorforasgardThor For Asgard #1 (OF 6)

WRITER: ROB RODI
PENCILS: SIMONE BIANCHI
INKS: SIMONE BIANCHI
COLORED BY: SIMONE PERUZZI
LETTERED BY: NEUROTIC CARTOONIST, INC
COVER BY: SIMONE BIANCHI

I know some fans must hate it, but I’m loving the influx of Thor titles, and I really enjoy these side books. Some fans have cried foul on the account that the movie is coming out, and Marvel is trying to rip-off the readers. Horse hockey! Here’s why: Shut up. Enjoy the extra Thor books, and no one is putting a gun to your head to buy them.

So in this tale Thor is putting down rebellions in the 9 realms after Odin has gone missing for two years and Blader is dead. Can anyone say Ragnarock? Thor must carry the weight of Odin’s throne a she tried to lead the Gods through this dreary time. He Doesn’t have the power of Mjoner, and times are getting leaner and leaner. It was a dreary read, but the tale is dreary. My highlight of the book is when Thor and company have to attack civilians and front giants alike since the frost giants are using the simple folk as human shields. Interesting commentary there. Bianchi draws a pretty good Thor book. The photo-real renderings and character designs are really easy on the eye, and the layouts break up the pages in refreshing ways.

Wolverine #1

WRITER: JASON AARON
PENCILS: RENATO GUEDES
INKS: ART & COMICS INT’L
COLORED BY: MATTHEW WILSON
COVER BY: JAE LEE

Jason Aaron has joined the ranks of Geoff Johns, Warren Ellis and Brian K Vaughn as a writer whom I will try anything their name is on. He writes a solid story, with good cliff hangers, true characterization, great experimentation without compromise of character, and a great balance of reality and fantasy. I have always felt that the great comic book writers are the one s that can take chances, remember the stories that have come before, and still write a book that is something new without betraying the true nature of the character.

Here Aaron writes a Wolverine book that gives us the gritty back-story that accompanies Wolverine, and manages to move along at a good pace without being mired in inner-dialogue. Wolvie meets up with Wraith, and then a mysterious group attacks wraith, Wolvie’s girlfriend, and presumably everyone he cares about. Mystique comes to the rescue, and explains that Logan is actually separated. At this point the story ends with Logan about to be tortured in the bowls of Hell. I know right? Craziness. But it all worked. Renato Guedes art is well done, and I enjoyed the thin lines that cleanly rendered the characters. He had great action panels, and some cool character designs.

I also enjoyed the Silver Samuri backup story even though I had no idea he died. It was great, and you can really tell that Aaron has read every issue of Wolverine and that is why he gets him. Not a cliché in sight.

Wolverine Road To Hell #1

WRITER: JASON AARON, MARJORIE LIU, RICK REMENDER & DANIEL WAY
PENCILS: Mico Suayan, Guiseppe Camuncoli, Will Conrad & Jerome Opena

This book stole my lunch money. Another one of those books with 9-page previews of other books that I shouldn’t be charged for since it is a big advertisement. Boooooooo Marvel for this book.

 

Advance Preview: "Wolverine: The Best There Is" #1

Wolverine PreviewOfficial Press Release

Marvel is pleased to present your first look at the most violent Wolverine ongoing series you’ll ever lay eyes upon, Wolverine: The Best There Is #1! The creative team of award-winning writer Charlie Huston and rising star artist Juan Jose Ryp introduce a bold new addition to Wolverine’s rogues gallery in the form of Contagion – a villain who gets more dangerous if he’s killed by Logan.  But before Wolverine can find a permanent solution for his brand new foe, he must combat Contagion’s league of guards aptly named, the Unkillables. Featuring covers from a cavalcade of superstar artists like Bryan Hitch, Phil Jimenez, Gabriele Dell’Otto and Marko Djurdjevic, no Wolverine fan can miss this epic debut!

Can Wolverine be the best there is, if he won’t be able to kill? Find out this December in Wolverine: The Best There Is #1!

WOLVERINE: THE BEST THERE IS #1
Written by CHARLIE HUSTON
Penciled by JUAN JOSE RYP
Cover by BRYAN HITCH
Sketch Variant by BRYAN HITCH
Variant Cover by PHIL JIMENEZ
Variant Cover by GABRIELE DELL’OTTO
Variant Cover by MARKO DJURDJEVIC
Parental Advisory …$3.99
ON SALE THIS DECEMBER!

 

I Have Issues: Week of 7.14.2010

I Have Issues is a comic book review on the previous week’s new releases. SPOILER WARNING: if you haven’t read your books yet, read no further. These reviews will be posted a few days after comic book release day to give you time to read them so that you can throw your two cents in about what you thought of these books. The picks are currently limited, due to the small selection available in my local comic book shops, but hopefully that will change in a the future. Visit the Giggaheim.com Forums and start your non-censored, no-holds-barred thread on your favorite books.

When I looked at the Previews Magazine for this week, my heart sank a little. Sure, Astonishing Spider-man & Wolverine was out this week. Sure, the missing pieces of Batman would be revealed. Sure, that new Doctor Solar book would be coming out, but I just found myself feeling a bit under-whelmed this week. Was this finally the “Event Fatigue” that everyone pisses and moans about? Well if it was, this book pried me out of my funk:

astonishing spiderman wolverine 2Astonishing Spider-man Wolverine #2

WRITER: JASON AARON
PENCILS: Adam Kubert
INKS: MARK MORALES
COLORED BY: JAYPO LLC
LETTERED BY: ROBERT STEEN
COVER BY: Adam Kubert

This book was many things. It was really well drawn. It was intriguing. It was filled with big ideas that are getting bigger. And it was fun. I barely, and I mean barely, remember the first issue. I remember it being fun, and Peter warning Logan about the time stream, and I remember they faced the end of the world. Issue two starts at the beginning of another apocalyptic event, and Peter Parker is trying like hell to save the world and get back to his correct time,  all while teaching classes and suffering indignities like uniforms with “lame” sewn into them. Logan and Peter have their little debate on heroism, and then the proverbial crap hits the fan. Like all good comics, the story gets really damn interesting, only to end in a cliff hanger.

This story was fantastic, but also the art illustrated the fantastic world our characters were in. I raced through Batman #701 due to over-sized panels and minimal dialogue/narration, but Jason Aaron’s script is packed for issue #2. Like a master of the craft, Adam Kubert makes the multitudes of detail all work. He has one intricate panel after another, crammed with little gems of discovery, word balloons, and narratives. If I read this on the toilet, like any other self-respecting fan-boy, my legs would have been numb from attempting to read it through.

Sure, it has two of Marvel comics’ blockbuster characters, but the issue was a dense masterpiece that kept me intrigued for a good long while. My main gripe right now is that only in the end have we begun to see why this story had to be a Spider-man and Wolverine story. There really hasn’t been a defining moment that made the reader think that this story could only work with those two. It could have been Luke Cage and Howard the Duck stuck in the time stream. But in the last panels Jason Aaron gives us clues revealing why these two awkwardly paired heroes are the only two that can fix what they broke. And the issue ends like all good comics do. With me wringing my hands in the air wishing I had the next issue immediately. I only hope I can remember everything that happened in issue 2 before I read issue 3.

Batman 701Batman #701

Written by GRANT MORRISON
Art and cover by TONY DANIEL

After the seminal #700 was celebrated Grant Morrison and Tony Daniel got back to business. Again, reiterating what I said before on the podcast and reviews : I don’t read Batman. I just never found his books particularly appealing. But, with it being a slow week, I wanted to see what the hubbub surrounding R.I.P. was about. I read so many “Oh my God Grant Morrison Batman” this, and hear “Oh Batman was AWESOME!!” on other podcasts that I had to see this for myself. After-all, this is freaking Grant Morrison. The only guy I know of that can tell a non-linear story so well that when he tells a straight one, it makes your nose bleed. I will say this though, If I were a Batman fan, I’d be pissed.

A while back, Batman R.I.P. was hot and heavy, Final Crisis turned the DC Comics Universe into a weird nightmare, and fans were recovering from a hideous weekly comic. In Batman, Bruce was drugged, and hen killed in a helicopter crash….only to pop up in Final Crisis to be re-killed by Darksied. Naturally, you are trying to work out what happened between the time he died in the crash, and when he showed up to die again in Final Crisis. And that’s where this book comes in.

Why?

Because of timing. Publishing timing. They had to kill Batman in both books to get the effect of finality, which left us logical thinkers all pissed off. Only now, some 2 years later do we get to read the answer.

And it was a good read. Again, not a long time reader, but we see Bruce survive the crash, make his way back to stately Wayne Manor, the Batcave is a mess, Alfred is beat up, and Bruce has to saddle up to go to the beginning of Final Crisis.

I liked the countdown timer to when Batman gets hit with the Omega effect. I liked the narrative, and apparently the huge puzzle this Hurt person left behind, and what I liked the most was Grant Morison’s voices. He really knows how to write a Batman narrative that feels like Batman. Tony Daniels does a great job with the art and has a great style for the layouts, but I found a few full-body renderings a bit doughy, like Bruce had become allergic to something suddenly. The real quality that sets his art apart is his drawings of the characters eyes, and the emotions they convey. This was an intriguing mystery, and I might pick this up in trade when it is finished to see how Bruce goes from Point A to Point B.

Justice League Generation Lost 5Justice League Generation Lost #5

Written by JUDD WINICK & KEITH GIFFEN
Art by JOE BENNETT
Cover by TONY HARRIS & J.D. METTLER
Variant cover by KEVIN MAGUIRE

When it comes to great cliffhangers, Judd Winick left us with a beauty on issue #4. The gang was all assembled, and had played right into Max Lord’s hands. Now that they were together, what was the outcome going to be? What was Max’s plan, and would it ever tie into Brightest Day?

While last issue was great, this issue lagged. It went over Booster’s origin which has been told several times. It spent pages with the Justice League alums talking to Max via a Rocket Red suit. And then finally something happened, only to grind to a halt again. This issue was probably supposed to have suspense and dramatic tension of this group pitted against Max, but it was really a boring journey through old tropes.

What adds insult to injury is that Joe Bennett’s artwork, clean as it was, had at least one blank panel per page. I don’t mind a few here and there to use negative space to frame in the important stuff, but the repetition made it a glaring fact that the artist had to have been strapped for time, and could only illustrate the bare essentials. The colors by Hi-Fi must have also been a short term, standing order of “everything shiny or metallic”. Ice and Max Lord are the only ones who don’t have a costume made of precious metals, and even they had a glare. Now this comic had its moments, so it wasn’t all nit-picky bad stuff. I just feel like the entire crew on this book could have done a bit more with it. And no, it doesn’t tie in to Brightest Day.

Doctor Solar 1Doctor Solar Man of the Atom #1

Writer: Jim Shooter
Artist: Dennis Calero
Cover Artist: Michael Komarck

Veteran Jim Shooter reboots a franchise from 1962 (and he also worked on it in the 1990s), and brings an older hero to life. Of all the bitching and moaning Alan Moore did earlier about Blackest Night, he should be bitching about Jim Shooter’s ideas because this book is a  Dr. Manhattan story. (This is a chicken and the Egg argument probably, so lets just move on) Does that make it bad book. Nope, quite the opposite actually. It was a nice change to see a hero who doesn’t know exactly how everything works confidently put himself to good use.

This issue was a cold start. We open with a fight to keep us enthralled just to move us into a heavily scientific discussion on what happened previously to Phil (protagonist), and how he can do what he does. All the while the pieces are coming together, revealing other characters and forces at work.

This was truly enjoyable, well drawn, and the bonus content of the original 1962 comic was a treat to juxtapose against the current work. another fun aspect was to read the work of a man who worked on these properties almost 20 years ago, return to his world. The meta messaging was a bit heavy handed, but made me chuckle in parts as a fan-boy gets what he wished for. Dennis Calero did a fantastic job illustrating the characters and movements, but a many of the panels don’t have backgrounds which leaves the artwork feeling flat and empty. I might not pick up issue #2, but I’ll definitely check out the trade.

Predators Game PreservePredators: Preserve the Game

Writer: David Lapham
Penciller: Allan Jefferson
Inker: David Rivera, Jordi Tarragona
Colorist: Michelle Madsen
Cover Artist: Sean Phillips

The Giggaheim Podcast crew went to see this movie last weekend, and had a merry old time with it. SPOILER: The two left at the end of the film are left on a “game preserve” planet. END SPOILER

So what happens next?

This comic.

As far a licensed property books go, I’ve seen better. IDW is kicking all sorts of ass in this arena, and Dark Horse Comics could take a lesson or two. Mainly, hire people who can draw the characters. I normally wouldn’t mind too much, but the looks for the characters continued to change by the page. I feel lucky that they were the only two humans on the book, or I wouldn’t have known who was who.

Besides that, the story continues along the same story logic (good thing), and helps us catch up to what our former heroes have been up to. Personally, I was jazzed to learn that this book was out this week. The end of the movie scream SEQUAL ROOM, but with a comic hot on its heels, it was like instantaneous gratification. Lapham stays true to the characters traits we grew to know from the film, and pits them against a giant, 4-armed predator, and another faction of predators gave our hero, Royce, a set of their armor to even the odds.

It’s not bad, but I will definitely be lending my copy out without a care. If you liked the film, and want to read more, wait a few weeks for this to hit the back issues bins.

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Peter SchmeiserPeter Schmeiser – Giggaheim Director
Peter is normally answering several questions everyday about continuity of the DC universe, the status of Spider-man, who has been cast in the latest movies, and what counts as canon in Star Wars. Pete enjoys voicing his opinions on the latest comic books, playing video games, and sharing his wealth of useless comic book knowledge with his friends. The Giggaheim was made to share that.
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I Have Issues: Week of 7.8.2010


I Have Issues is a comic book review on the previous week’s new releases. SPOILER WARNING: if you haven’t read your books yet, read no further. These reviews will be posted a few days after comic book release day to give you time to read them so that you can throw your two cents in about what you thought of these books. The picks are currently limited, due to the small selection available in my local comic book shops, but hopefully that will change in a the future. Visit the Giggaheim.com Forums and start your non-censored, no-holds-barred thread on your favorite books.

This week was a short one with the country’s jubilee and putting the shipping schedule off. Many of the comic books I was after did not make it to my LCS, but I was able to track a few down to make a more educated pick of the week. This was a great week for diversity. There were good books from Boom! Studios, Marvel Comics, DC Comics, and Dark Horse Comics. In the end my pic was

Irredeemable #15Irredeemable #15
Writer: Mark Waid
Artist: Diego Barreto
Cover: Paul Azaceta and Dan Panosian

For a year and half Mark Waid has been crafting a story of a fallen hero and the atrocities that follow. The books consist of a thickly layered storylines that all stem from one difficult decision to the next. No story thread is untouched by tragedy, and no story is an easy one. Mark Waid charges into the difficult paths of the story, ignoring easy answers and creating a drama that is just as exhausting to read as Kirkman’s Walking Dead.

Issue 15 is the destination for all of these storylines, and in a super-charged series of panels the “damned” consequences begin to come forward. Quibit has to measure which “bad guy” he feels he can defeat, all while sacrificing the group that would help help him do so. He have another team member killed and despite this book beginning with the mad tantrums of  a wayward “superman”, the true puppet-masters and evil begin to come to light.

I’ve said this on the podcast before, but I cannot escape the regret of Barreto’s pencils. I feel they just don’t capture the height of the drama and action that happen in the pages. Some panels are completely empty, while others are an inking nightmare. While I could think of a few artists that might have captured all these moments better, none of them would embody an Irredeemable story. None of them would have captured Tony or Quibit or the powers the way Barreto has. When I look at these pages I thin Irredeemable. So, from now on I will stop griping about the art, although I think that someone should be inking this book besides Barreto, that might help.

This has been a great book, and if you have been on the fence about it, or are unsure of it, read the first trade. I’m sure you will be captured by the extraordinary storytelling, and the path that this book is blazing.

Hit-monkey#1Hit-Monkey #1

Written by Daniel Way
Art by Dalibor Talajic

Sell Comics books Rule #1: Put a monkey on the cover. And seriously, can you blame me for picking this up? Look at it!!! The Dude is awesome!

Alright to the story, we have a monkey who seeks revenge for the deforestation of his forest and killing of his tribe. He grabs a few pistols and goes to work on the parties responsible. Since he can’t talk, we have a ghost who interfaces with the monkey to egg him on to more homicide. The last page we see Bullseye foreshadowing what should be a big encounter at the end. I think I’d enjoy this book a bit more if I could get the following questions answered:

1) Why can’t he talk? He’s a gun-wielding monkey! We’ve already taken he leap that a monkey can expertly use firearms, why not give him some cheeky dialogue?

2) Where’s his cool Tarantino Suit? Um, Marvel? I was given the impression we had a cool-assed hit-monkey from the cover of your book. Are you F#$@ing with me? Are you just doing the regular Marvel Comics cover thing? You know, where you put Spider-man fighting a dinosaur on the cover, but inside you have him having tea with aunt may for 22 dialogue –driven pages?

Those are the only real questions I had. Silly I now, but they were repeating in my head, and I couldn’t think straight. Anyways, this is a fun book. Embrace the fun. Watch a monkey shoot the pace up. It’s good stuff.

Batman:Odyssey #1Batman: Odyssey #1

Written by NEAL ADAMS
Art and cover by NEAL ADAMS
Sketch variant cover by NEAL ADAMS

Speaking of monkeys, check out the fist page of this book, and then get back to me. Moving on, Neal Adams creates a story about the earlier days of Batman, and it begins with Bruce reminiscing about his early days as the Batman. Neal expertly explains how Batman used to have guns, but then abandoned them. He has a great scene with Robin and Man-Bat, and then the Two-Face caper begins.

As a regular non-Batman reader, I must confessed that I liked this book. It didn’t blow me away, but it did give me a fun comic book reading experience that I remember in the 1980s. Even though it felt nostalgic, Neal Adams crafts a story using more modern techniques to weave a mystery of different threads, and still treat the reader to a good time.

The last 10 pages of book did feel dragged out a bit, and even though this book gave me a feeling of a 1980’s Done-In-One, he seemed to drag out the fact that Batman was headed to the pier instead of the bank much farther than necessary. Still, the artwork was brilliant, and I might even pick this up to se how it all ends. What can I say? I’m enjoying it.

Brightest Day #5Brightest Day #5

Written by GEOFF JOHNS & PETER J. TOMASI
Art by IVAN REIS, PATRICK GLEASON, ARDIAN SYAF, SCOTT CLARK & JOE PRADO
Cover by DAVID FINCH & SCOTT WILLIAMS
Variant cover by IVAN REIS

Issue #5 has cemented this book as a permanent fixture on my pull list. Perhaps I am nostalgic for 52, but I am loving this odyssey of lesser-known characters who are handling world-shattering events without calling in the big guns. I’m also enjoying the quick publishing pace.

But, as a Florida resident, I must say that the Aquaman storyline this week was fantastic. The oil should be hitting our beaches any day now, and in a world without Aquaman, it was nice to escape to a place where BP’s royal fuck-up would be dealt with by the Eco-avenging King of the Seas.

I’m still not into this whole Hawkworld thing, but the White Lantern portions of the book were great. Another good installment, and I’m happy this will be in my box two weeks from now.

Side-Shot Reviews

Sorry guys, I don’t have too much time to review everything, but I wanted to just touch on these books:

Avengers Origin #4Avengers Origin #4

WRITER: JOE CASEY
PENCILS: PHILIP J. NOTO
INKS: PHILIP J. NOTO
COLORED BY: PHILIP J. NOTO
LETTERED BY: RICHARD STARKINGS
COVER BY: PHILIP J. NOTO

This is still a great book, and Philip Noto’s pencils are defiantly the star of the show. It felt like this book was catching its breath before the climactic ending in next month’s issue, which I am looking forward to.

Hellboy: The Storm #1Hellboy: The Storm #1

Writer: Mike Mignola
Artist: Duncan Fegredo
Colorist: Dave Stewart
Cover Artist: Mike Mignola

I haven’t been a Hellboy reader, but between the films and Hellboy In Mexico, I have become entranced by this book. Mike Mignola apparently has been writing a story based in England with the twist that Hellboy is apparently an heir of legendary King Arthur. Due to that development, many of the Knights of the realm are leaving their graves. With a bit of comics.wikia catch-up, I am on track with this story, and I’m digging this occult action book. Good stuff.

izombie #3iZombie#3

Written by CHRIS ROBERSON
Art and cover by MICHAEL ALLRED

At risk of sounding like a critic who hasn’t published anything: this issue was treading water a bit. Sure there were a few developments, but I had to pick this issue up a few times to get through it all. I got bored every 4 pages. The art style is still a fun collection of nostalgic printing techniques, and wild colors, but the story seems like it’s grinding to a halt.

x-men#1X-Men#1

WRITER: Victor Gischler
PENCILS: Paco Medina
COVER BY: Adi Granov

I’m going to try something new here:

Positive: You don’t need to read 50 years of X-men continuity to jump into this

Negative: It has vampires

Positive: A vampire acts like a suicide bomber and infects a park full of people by exploding in the sunlight

Negative: It has vampires

Positive: Wolverine gets to seriously shred some people in this, and look useful. A rare occasion.

Negative: It has vampires

Positive: the art was good, and the story wasn’t al that bad.

Negative: It has vampires

Well, that could have gone smoother. I’ll work on that for next week.

Did you have a contrasting opinion? Wanna give your two-cents on these books? Comment below, or start a thread on our forums.

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Peter SchmeiserPeter Schmeiser – Giggaheim Director
Peter is normally answering several questions everyday about continuity of the DC universe, the status of Spider-man, who has been cast in the latest movies, and what counts as canon in Star Wars. Pete enjoys voicing his opinions on the latest comic books, playing video games, and sharing his wealth of useless comic book knowledge with his friends. The Giggaheim was made to share that.
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Mark Millar To Return To 'Old Man Logan'

Mark Millar vs Marvel EditorialOne of the most popular Wolverine stories might get a sequel. Mark Millar, Author of the original Old Man Logan, Civil War, and Kick-Ass, announced on his MillarWorld website that he is pitching a sequel to the futuristic elseworlds tale about everyone’s favorite adamantium-filled mutant, Logan. Having read the first book that was illustrated by Steve McNiven, I’d say “bring it on”. Since sales numbers were high (est. 120,000 copies per book) I’m sure Marvel will use this license to make money and put it to good use. Why snkt a golden goose?

 

I Have Issues: Week of 5.5.2010

I Have Issues is a comic book review on the previous week’s new releases. SPOILER WARNING: if you haven’t read your books yet, read no further. These reviews will be posted a few days after comic book release day to give you time to read them so that you can throw your two cents in about what you thought of these books. The picks are currently limited, due to the small selection available in my local comic book shops, but hopefully that will change in a few months. Visit the Giggaheim.com Forums and start your non-censored, no-holds-barred thread on your favorite books. On with the reviews:

This week’s pick of the week was a strange one. Between mysterious lanterns no one can lift, whole planets exploding, and trippy time travel, I wound up with an even keel pick:

Star Trek Captains Log HarrimanStar Trek Captains Log Harriman #1

Written by: Marc Guggenheim

Art By: Andrew Currie

This book took me off guard, and I didn’t even pull it. No, this book came courtesy of my friendly comic book shop owner who has been pulling Star Trek Titles for my wife since she had devoured the “Start Trek: Nero” books. Along the lines of the “Nero” book, most franchise books suck, waste what could be valuable story space, and are drawn terribly. “Star Trek Captains Log Harriman #1” is different, and even outshone the bigger books that came out this week.

The book starts with Kirk’s heroic death that we saw in Star Trek: Generations”. We then catch up to Dr. McCoy, who has been reactivated to active duty to deal with a plague that this new Enterprise will go deal with. McCoy then chews Harriman a new one, blaming him for Kirk’s death, but then advises the green captain who then saves the day.

What brought this up to Pick of the Week levels for me was the dialogue and artwork. I didn’t even look at the book credits because they are normally populated by names we haven’t heard of yet, but this book was written by Marc Guggenheim (Wolverine, The Flash), who was the only person capable of bringing the dreadful Bart Allen Flash run to a successful close. He nails McCoy’s voice here injecting the right amount of swearing, tempo, and sincerity that makes you feel that DeForest Kelly is speaking out of the page. He also sets a great done-in-one story that doesn’t get bogged down with too much inner dialogue, or some uber-nerdy sci-fi facts. It’s just a fun story.

What also, struck my fancy on this book was the artwork. Andrew Currie’s pencils illustrate the actors and characters we have come to know and love without too many of those “eesh” moments you experience when an artists makes a known actor’s visage unrecognizable. The space battles, transporter effects, and the quite cabin scenes are all beautifully illustrated. This was a fantastic read, and I plan on downloading it to my IDW app on my iPad.

Brightest Day#1Brightest Day #1

Written by GEOFF JOHNS and PETER J. TOMASI
Art by IVAN REIS, PATRICK GLEASON, ARDIAN SYAF, SCOTT CLARK and JOE PRADO
Cover by DAVID FINCH
Variant cover by IVAN REIS and OCLAIR ALBERT

The “Brightest Day” event kicked of in earnest, and it felt like “52”. Plot points and character moments are thrown fast and furiously as the different characters’ mysteries all deepen. The shining moments in the book are Mera and Aquaman dealing with pirates. Aquaman is cool again, and I think with this new storyline we should get some interesting Aquaman stories as his reemergence brings Black Manta back as well.

The book throws a series of great mysteries at you with Firestorm not being able to separate consciousnesses, someone is telepathically baiting Martian Manhunter, and someone else is stealing the bodies of the Hawks. The bigger mystery I’m more interested in is the one surrounding the White Lantern. Naturally, Deadman will be the White Lantern, but I’m more interested in seeing how the rest of the ring corps will deal with it, and what it all means.

The illustrations were all good, but the stuttering effect of the quick cut-aways and fats tempo threw me off from enjoying the book more, and I just found myself looking at the panels for the Hawks instead of reading them. I’m just not too interested in them. Hopefully when all of these separate storylines come together, it will peak my interest more, but for now, I’m going to keep pulling the book, and follow the stories I like.

Astonishing Wolverine Spiderman #1Astonishing Spider-Man Wolverine #1

WRITER: Jason Aaron
PENCILS: Adam Kubert
INKS: Maria-Emiko Macuaga
COLORED BY: Ronan Cliquet
COVER BY: Adam Kubert & Greg Adams

I picked this book up because I love these stories. I’m a sucker for them. The Ultimate Spider-man story when Peter Parker and Logan switch bodies was a classic. Their interaction in the Ultimate X-men: Blockbuster was another great story, and their team-up stories in the regular 616 are also no-miss events. So I decided to pull this book, without looking at the creative team.

This book was another fun jaunt that knocks you off your expectations immediately, and throws you in the deep end of the pool. Spider-man and Wolverine are back in the Jurassic time? Peter has a beard? What’s going on? Turns out that Logan and Peter were in the wrong place during a bank heist, and thrown back in time. Unfortunately, they are running out of time as the Asteroid that brought on the ice age, is about to hit the Earth.

Despite the jarring nature of the story, the dialogue was fantastic, and Adam Kubert’s pencils capture every mood, and illustrate the facial expressions beautifully. I honestly didn’t think I would make it through the issue, and definitely wouldn’t pull the whole story, but thanks to Jason Aaron’s storytelling I have to know what happens next.

War of the Supermen #1Superman War Of The Supermen #1 (OF 4)

Written by JAMES ROBINSON and STERLING GATES
Art by Jamal Igle & Jon Sibal
Cover by EDDY BARROWS
Variant cover by AARON LOPRESTI

I don’t read Superman. I find him a bit boring actually. Some of my favorite books involve Superman (Kingdom Come, Superman: Red Son, Hush, All-Star Superman) but I just find Superman boring overall. We know he’ll win the day, and some super-power will get him out of a jam. Super-hearing, or super-smell, or super-silence. It always felt like a cheat, and I never felt any suspense reading the books.

“War of the Supermen #0” was a free comic book last weekend, and I decided to pick it up. I figured with the review column and the podcast, I should read this event and weigh in on it. It did have some of my favorite characters like General Zod, and this event has been building up for a while now. While issue #0 set up that Zod has decided to attack Earth with a Kryptonian army, and Superman might show up too late to help. Issue #1 illustrated just how deadly Lex Luthor and General Lane can be, and how their entanglements with Superman in the past have prepared them for the Kryptonian invasion.

In one masterstroke, Luthor plants a bomb in a prisoner that destroys New Krypton. The new planet that Kal-l could belong to was wiped off the star charts thanks to the genius of one of DC’s greatest villains. Fueled by this act of terrorism, I’m sure the Kryptonian army that was en Route to attack Earth will no doubt bring some scorn, and with his kind of story, and these kind of stakes; I’m in.

 

Marvel Comics in Springfield!

Wolverine in the Simpsons Universe

Wolverine in the Simpsons Universe

In case you thought this was a completely biased Blog for DC Comics, here is some uber cool news for the Marvel Zombie. I’m reposting this article straight from worldfamousdesignjunkies.com. So check out their site when you get a  chance.

Yo! And behold! An amazing accomplishment from a simple fellow looking to have a little fun! This right here is the newest collection of characters illustrated by designer Dean T Fraser for his project “Springfield Punx!” He’s been at this for little over a year drawing these characters strictly as a personal adventure. What Dean does is take celebrities as well as fantasy characters of fame, transforming them into residents of the Simpsons’ Springfield! This newest set of his is just what the comic nerd ordered: Marvel Comics!

Click here to read the full post.

 
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