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Posts Tagged ‘Marvel Comics’

Giggaheim Podcast Episode 74

Giggaheim-Podcast-Album-74-thumbIt was an interesting week in the world of the Geek. We wrap up Dune Awareness Month with factoids about the movie. At the Toronto FanExpo, Marvel had a fiery setback and DC Comics revealed more comics after the New 52. Pax had some interesting announcements for Canadian Xbox Buyers, Gears of War 3, and a leading game peripherals manufacturer jumps into PC gaming with an expensive laptop. We review the milestones of Steve Jobs’ career at Apple Computers, and the Russians screw up their space program. Randis tells us about mobile dating apps, and how to tweak your dating profile to find that special someone.

 

 

Download it here.

 

Giggaheim Podcast 73

Giggaheim-Podcast-73-Album-iconUltimate Fallout #6 • Gamescom • IBM’s Brain Chips • Dream Interpretations

 

In this episode Pete review Ultimate Comics Fallout #6 to mourn the loss of Ultimate Spider-Man. The gang passes judgment on potential movies Rambo 5, and a Blade Runner Sequel. Craig Talks about the developments at Gamescom including news That Playstation’s new handheld is more powerful than their PS3, and Diablo 3 could come to game consoles. HP does away with it’s mobile OS, Kindle skirts Apple, and IBM creates chip that mimic the human brain. Randis then interprets our dreams, and what they mean.

 

 

Download it here.

 

 

Comicon 2011 Wrap Up Podcast

Giggaheim comicon 2011 podcast-albumPete covers the news from the world’s largest comic convention, the San Diego Comicon. What happens in Marvel Comics after the dust settles after Fear Itself? What is up with DC Comics’ New 52? Will KISS ever cross over with Archie? Will Star Trek ever cross over with Legion of Super Heroes? Find out in under twenty minutes!

 

 

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Giggaheim Podcast Episode 68

 

 

Flashpoint 3 vs Fear Itself 4 • PlayStation Network Passcodes • Space Shuttle Atlantis • Speed Dating

Giggaheim Podcast-68-AlbumThe Giggaheim podcast is packed this week. Pete reviews summer event comic books Flashpoint#3 and Fear Itself #4. Then answers listener mail by differentiating between Marvel Comics’ Mockingbird, and DC Comics’ Black Canary. After the news of sexually harassing Archie Comics, and Rockstar Games moving on to movies, the crew takes apart video game movies. Craig fills us in on the new PlayStation Network Passcodes, the lack-luster Burnout:Crash, and Modern Warfare 3’s Color Blind Assist mode. In Tech news Pokemon makes its own mobile app, Google and Microsoft bid for Hulu, and this week marked the last launch of the Space Shuttle Atlantis. Craig melts everyone’s head with math, and Randis gives us all tips for Speed Dating.

 

 

Download it here.

 

I Have Issues: Fear Itself #3 versus Flashpoint #2

Again, I’ve decided to compare the two largest comic book publishers’ cross over event comic books. Fear Itself and Flashpoint are two very different comics, but they are the comic book reader’s annual event to look forward to, and since they malign schedules, dump cross over plotlines into other books, and wreak havoc on our reading they deserve a little bit of attention.

Fear-Itself-3-CoverFear Itself #3

Written by Matt Fraction

Illustrated by Stuart Immonen

Published by Marvel Comics

 

Fear Itself still has the follow characteristics from the previous two issues:

 

  • Thor Incarcerated
  • Hammers fall from the sky for heroes and villains to pick up
  • The good guys are spread thin to deal with the mayhem
  • Famous landmarks are destroyed

 

Not too bad. It’s what you want in a event book. You want something different, something that deserves the entire world’s attention, and we also want collateral damage. Unfortunately the following characteristics have carried over from the previous issues:

 

  • The story feels dicey, and chopped up. As if it has been edited to death.
  • The heroes are either clueless or act foolishly
  • Major landmarks are destroyed with no reprisals
  • We don’t know the Serpent’s true motives

 

 

WARNING!!! The Following Has Spoilers!!

 

But hey, Bucky-Cap dies. So there’s something you pay to see. My main issue is that I feel this book is incomplete. I don’t think it’s Fraction’s fault at this point. It feels more like it has been edited to a point of incoherency. Scenes that should hold weight and be explained are incredibly short, and other scenes feel like they are catching up from another cross over book, but there isn’t any material there. It’s frustrating!

FearItself_3_Double-Page

Another frustration is the artwork, Immonen draws a fantastic book, but this artwork is on par with a Green Lantern Corps book, or an Avengers Academy. It doesn’t have the “wow” factor of an Event book. It doesn’t blow me away, and there aren’t any two-page spreads that I can quickly recall in my head as a classic, blockbuster moment. It simply told the story, and a majority of the panels had no backgrounds. Where was the time spent? Are they desperate to have an event book actually come out on time?

 

At the halfway mark the book hasn’t put its hooks in me, and certainly hasn’t given me reason to see it through. Things are changing in the book, and consequences have been delivered, but I continually find it harder and harder to care about the Marvel books when their central events don’t seem to give me any reason to keep reading.

 

 

flashpoint-2-coverFlashpoint #2

Written by Geoff Johns

Illustrated by Andy Kubert

Published by DC Comics

 

As far as cross over events the news lately has been drenched with the consequence of the aftermath of Flashpoint. But Flashpoint continues to dive deeper into the weird world that Barry Allen finds himself in. Batman beats the hell out of Barry, and then Barry’s memories begin to pull a Back to the Future rewriting trick. Meanwhile we find Paris sunk, and Wonder Woman decides to choke out Captain Trevor. The maligned sense of this shattered world continues to draw parallels to the world we know as Barry ties to recreate his accident that made him The Flash, and ultimately regain his speed.

 

 

Much like my review of Fear Itself, I’m having issues with this cross over event as well. Mainly, we have had some progress in the plotting, and it doesn’t feel as disconnected, but I don’t feel like we have made any progress in two issues. And as a Flash reader, I must say I’m having a problem with Barry trying to get his powers back. We just spend quite a few issues on the Speedforce, only to fall back on the 1960’s chemical accident. Why? Perhaps my questions will be answered, and they are waiting for me in a future issue, but “This World is Vastly Different” hammer they keep hitting me with is beginning to get annoying.

 

flashpoint-2-lightning

Kubert’s art is fantastic. He breaks the traditional guttered layouts, and the inker and colorists aren’t undoing any careful details he’s put into the illustrations. I still don’t get the cinematic event feel I’d like to have in the book, but at least the panels have backgrounds and detailed depth that I can enjoy.

 

Will I pick up issue three when it comes out next month. Well, probably. I don’t feel like I’m wasting time yet, and frankly, a lot of other books (52 of them) are hinging on the outcome of this event. I enjoy seeing the different sides to these Elseworlds characters, and there is enough intrigue there to make me want to keep reading. I’m not anxious for the next issue, but I will be picking it up.

 

 

I Have Issues: Rafael Grampa’s Mesmo Delivery

On a recent trip I was able to visit a comic shop, and find a rare jewel to add to my comic book library: Rafael Grampa’s Mesmo Delivery. I had reviewed Grampa’s work some time ago on Giggaheim’s Podcast Episode 41, and fell in love with the Wolverine story he wrote and illustrated. His work had an energetic detail that reminded me serious tattoo art that had wound up illustrating the gory and sad life that had become Wolverine. So when I found a trade paperback of Grampa’s, I snatched it up, and never put it down.

 

Simply put, Mesmo Delivery is about two men who are en route to deliver the content of a tractor and trailer. When they stop in a local greasy spoon diner, a fight breaks out. Any more details, and it would spoil the book. The story is a simple one, but takes some twists and turns. The driver is a boxer. He’s a huge, stocky man who obviously is more brawn than brains. Next to him is a lanky grease-ball who loves Elvis. Not too much to get attached to, but when the driver is assaulted, the book spins out of control, and it is a fantastic ride.

 

mesmo panelRafael Grampa’s art is fantastic, and I didn’t want to spend the entire review throwing around terms like “kinetic”, “frantic”, “clean”, “earthy”, or “wild”. The art within the pages is all those things, but I didn’t want to sling the same terms at you, otherwise, why read this?

 

His art is a mixture of cartooning, illustration, woodcut printing, and industrial tattooing. It’s as if Steamboat Willie-era Mickey Mouse walked out on a pregnant Minnie Mouse, got a job loading trucks, and tattooed a pulsing, infected body part on his arm. That’s what it “feels” like to me. It’s similar to a raw twist on an art-form, but it certainly has the energy, detail and exaggerated features that lend itself to this violent story. Besides the style, Grampa also chooses layouts and angles to tell the story in a way that lures your eyes, and guides you through the book. After a few pages, you can taste cigarette smoke, feel hot dusts settle on the back of your sweaty neck, and your heart will race for the next crazy moment to happen. Rafael lures you in, and never lets go until the last page says: The End.

 

 

Thor Abridged in 4 Panels

As always the Giggaheim.com is trying to keep your hip (Remember the whole Noob to Initiated thing on the podcast?), and we would be remiss in our duties if we did not expose you to the coolness of Ty Templeton.

 

Ty Templeton’s Website is a cornucopia of fantastic pencils and imagination. His art of Batman from the comic series Batman & Robin Adventures, the incredible gallery of cover art, and his Templetoons offer a fun look underneath the hood of the well-oiled comic book publishing machine. Below is a recent entry of Bun Toons that feature the currently popular Norse God of Marvel Comics, Thor. An ingenious breakdown of Thor that cannot go unnoticed.

 

Thanks, Ty!

thor-strip-websized

 

Muppets Mash-up

Yet another mash up that was too awesome to pass up, Rahzzah created a great composition: “X-Muppets”.  The Marvel Comics Mutants meet Animal and Beaker as Wolverine and Cyclops. You can visit Rahzzah’s Deviant Art Page for more of his great creations.

X-Men Muppets

 

X-Men Frist Class: Magic Trick

Okay, now I want to see this. I know, I know, I was worried about this on one of the previous podcasts because of the time between shooting and release, because of the casting, because of the prequel poison we have all be subject to at the movies, but this looks good.

 

Seriously. This TV spot has converted me. And what better way to get into X-Men? It’s probably one of the most prolific and convoluted storylines in comics, and in the movies it could get even weirder with sequels a prequels screwing up our perception of Marvel’s mutants. But, this looks like it is in the true spirit of First Class. A young team, and a wide-eyed world that has to accept the ideas of mutants among them.

 

I’m in.

 

 

 

Writers of the Decade:Robert Kirkman

There will be a bevy of writers who are going to get the spotlight here, and the past decade was one where comic book readers followed writers. Readers flocked and followed writers from project to project, and hunted down their works. It was scribe’s time to shine. After the artist-heavy 1990’s, the writers took the stage, and the decade was heavily influenced by several authors who were able to shape the world of comics, and steer them into a new horizon.

Robert Kirkman

Robert KirkmanRobert Kirkman had a great decade. Writing such books as Captain America, Jubilee, and the Incredible Ant-man for Marvel comics would make anyone happy. But Robert was also conscious of an industry that needed more creators. Leading the way for creative-owned storytelling Robert Kirkman created two influential works in his bibliography that would put his name to the top of the list of comic writers, and eventually a partner at Image Comics.

Anyone who listens to the podcast may know that I don’t think much of Superman. He’s a great figure for DC comics, he’s an icon of hope, and all that’s good, but frankly, the stories bore me due to lack of suspense. Invincible is a story of Superboy, told in modern times, and with consequential storytelling that will surprise the reader with its high quality, bold direction, easy accessibility. The story of Mark Grayson quickly became a double-dip title for me, and one that I could easily evangelize as a breath of fresh air into a tired trope. Although Kirkman had the advantage of telling an origin, he quickly proved the idea of the superman had a lot more story to tell.

On the heels of breathing new life into a capes book, Kirkman shared a darker world with a horror zombie book: the Walking Dead. The book follows Rick Grimes in a 28-Days Later scenario, and puts the reader through a journey that grabs a hold of you, and never lets go. The Walking Dead is a zombie book, but it is the human drama that drives the story, and keeps readers interested in the characters as they survive a landscaped willed with reanimated corpses. The relationships, violence, and instincts are all laid bare, and with a realistic world of horror presented with brutal honesty and without gimmicks, Robert Kirkman revitalized a floundering horror genre. The books did so well that they even merited their own TV series on TV.

 
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